Tom Lake
by Ann Patchett
GENRE: Historical Fiction, Literary Fiction, Romance
In the spring of 2020, Lara’s three daughters return to the family's orchard in Northern Michigan. While picking cherries, they beg their mother to tell them the story of Peter Duke, a famous actor with whom she shared both a stage and a romance years before at a theater company called Tom Lake. As Lara recalls the past, her daughters examine their own lives and relationship with their mother, and are forced to reconsider the world and everything they thought they knew.
Author Biography
Ann Patchett is the author of novels, most recently the #1 New York Times bestselling Tom Lake, works of nonfiction, and children's books. She has been the recipient of numerous awards, including the PEN/Faulkner, the Women's Prize in the U.K., and the Book Sense Book of the Year. Her novel The Dutch House was a finalist for the Pulitzer Prize. Her work has been translated into more than thirty languages, and Time magazine named her one of the 100 Most Influential People in the World. President Biden awarded her the National Humanities Medal in recognition of her contributions to American culture. She lives in Nashville, Tennessee, where she is the owner of Parnassus Books. - HarperCollins
Kirkus
It’s time to harvest the cherries from their Michigan orchard, but the pandemic means that Joe Nelson; his wife, Lara; and their daughters, Emily, Maisie, and Nell, must pick all the fruit themselves.
To lighten the lengthy, grueling workdays, and prompted by the recent death of world-famous actor Peter Duke, the girls press Lara to tell them about her romance with Duke at Tom Lake, a summer stock company in Michigan, and her decision to give up acting after one big movie role. Lara’s reminiscences, peppered by feisty comments from her daughters and periodic appearances by her gentle, steadfast husband, provide the foundation for Patchett’s moving portrait of a woman looking back at a formative period in her life and sharing some—but only some—of it with her children. Duke flashes across her recollections as a wildly talented, nakedly ambitious, and extremely crazy young man clearly headed for stardom, but the real interest in this portion of the novel lies in Patchett’s delicate delineation of Lara’s dawning realization that, fine as she is as Emily in Our Town, she has a limited talent and lacks the drive that propels Duke and her friend and understudy Pallas. The fact that Pallas, who's Black, doesn’t get the break that Duke does is one strand in Patchett’s intricate and subtle thematic web, which also enfolds the nature of storytelling, the evolving dynamics of a family, and the complex interaction between destiny and choice. Lara’s daughters are standouts among the sharply dawn characterizations: once-volatile Emily, now settled down to be the heir apparent to the farm; no-nonsense veterinarian-in-training Maisie; and Nell, the aspiring actor and unerring observer who anticipates every turn in her mother’s tale. Patchett expertly handles her layered plot, embedding one charming revelation and one brutal (but in retrospect inevitable) betrayal into a dual narrative that deftly maintains readers’ interest in both the past and present action. These braided strands culminate in a denouement at once deeply sad and tenderly life-affirming.
Poignant and reflective, cementing Patchett’s stature as one of our finest novelists.
Copyright (c) Kirkus Reviews, used with permission.
Publisher's Weekly
Patchett (The Dutch House) unspools a masterly family drama set in the early months of Covid-19. Lara and her husband live on a cherry orchard in northern Michigan, where they welcome their three adult daughters home to shelter in place. Emily, the oldest, is a young farmer who will inherit the family farm; Maisie is a veterinarian; and Nell, the youngest at 22, dreams of becoming an actress. They pass the hours picking fruit and listening to Lara tell the tale of her long-ago romance with “Duke,” a young actor who went on to become a major celebrity. Lara and Duke met during a summer stock production of Our Town, where she played Emily and he played her father, Editor Webb. Patchett alternates between present-day scenes of the cherry orchard and Lara’s younger years, including her brief foray as an actor in Hollywood, before an accident put a sudden end to her career. “There’s a lot you don’t know,” Lara tells Emily, Maisie, and Nell at the novel’s opening, and as Patchett’s slow-burn narrative gathers dramatic steam, she blends past and present with dexterity and aplomb, as the daughters come to learn more of the truth about Lara’s Duke stories, causing them to reshape their understanding of their mother. Patchett is at the top of her game. (Aug.)
Booklist
Lara’s three twenty-something daughters are back home in northern Michigan, thanks to the COVID-19 lockdown, just in time to harvest the cherries. Emily has already committed herself to the family orchard and farm and her other great love, neighbor Benny. Maisie discovers that she can continue her veterinarian studies by caring for their neighbors’ animals. Only Nell, an aspiring actor, is distraught because of their isolation, but all are ravenous for distraction as they work long hours handpicking cherries, so they insist that their mother tell them, in lavish detail, the story of her romance with a future megawatt movie star. Lara strategically fashions an edited version for her daughters, while sharing the full, heartbreaking tale with the reader. Patchett (The Dutch House, 2019) attains new dimensions of beauty and resonance as she elegantly needlepoints Lara’s life onto the template of Thornton Wilder’s Our Town, the first play New Hampshire high-schooler Lara acts in, the play that catapults her to Hollywood, then to summer stock at Tom Lake in Michigan, where she comes under the spell of voraciously sexy and ambitious Peter Duke. As this spellbinding and incisive novel unspools, Patchett brings every turn of mind and every setting to glorious, vibrant life, gracefully contrasting the dazzle of the ephemeral with the gravitas of the timeless, perceiving in cherries sweet and tart reflections of love and loss. - Donna Seaman
Hello Beautiful
by Ann Napolitano
William Waters grew up in a house silenced by tragedy, where his parents could hardly bear to look at him, much less love him—so when he meets the spirited and ambitious Julia Padavano in his freshman year of college, it’s as if the world has lit up around him. With Julia comes her family, as she and her three sisters are inseparable: Sylvie, the family’s dreamer, is happiest with her nose in a book; Cecelia is a free-spirited artist; and Emeline patiently takes care of them all. With the Padavanos, William experiences a newfound contentment; every moment in their house is filled with loving chaos.
But then darkness from William’s past surfaces, jeopardizing not only Julia’s carefully orchestrated plans for their future, but the sisters’ unshakeable devotion to one another. The result is a catastrophic family rift that changes their lives for generations. Will the loyalty that once rooted them be strong enough to draw them back together when it matters most?
Flight
by Lynn Steger Strong
It’s December twenty-second and siblings Henry, Kate, and Martin have converged with their spouses on Henry’s house in upstate New York. This is the first Christmas the siblings are without their mother, the first not at their mother’s Florida house. Over the course of the next three days, old resentments and instabilities arise as the siblings, with a gaggle of children afoot, attempt to perform familiar rituals, while also trying to decide what to do with their mother’s house, their sole inheritance. As tensions rise, the whole group is forced to come together unexpectedly when a local mother and daughter need help.
Daughters Beyond Command
by Véronique Olmi
Three sisters are born into a modest Catholic family in Aix-en-Provence. Sabine, the eldest, dreams of an artist's life in Paris; Helene, the youngest, grew up between her uncle and her aunt, bourgeois from Neuilly-sur-Seine, and her parents, simple people; Mariette, the youngest, learns the secrets and silences of a dazzling and crazy world. In 1970, French society is moving; women have emancipated themselves whilst men have lost their bearings, and the three sisters, each in their own way, find ways to live a life of their own, a strong life, far from the morality, education and the religion of their childhood. This family chronicle, which takes us from after May 1968 to the momentous election night of May 10, 1981, is as much a tender and tragic stroll through this century as it is the chronicle of an era, where consciousnesses are awakening to the upheaval of the world and heralding the chaos to come.
