The Heaven and Earth Grocery Store
by James McBride
GENRE: Historical Fiction, Literary Fiction
In 1972, when workers in Pottstown, Pennsylvania, were digging the foundations for a new development, the last thing they expected to find was a skeleton at the bottom of a well. Who the skeleton was and how it got there were two of the long-held secrets kept by the residents of Chicken Hill, the dilapidated neighborhood where immigrant Jews and African Americans lived side by side and shared ambitions and sorrows. Chicken Hill was where Moshe and Chona Ludlow lived when Moshe integrated his theater and where Chona ran the Heaven & Earth Grocery Store. When the state came looking for a deaf boy to institutionalize him, it was Chona and Nate Timblin, the Black janitor at Moshe’s theater and the unofficial leader of the Black community on Chicken Hill, who worked together to keep the boy safe.
As these characters’ stories overlap and deepen, it becomes clear how much the people who live on the margins of white, Christian America struggle and what they must do to survive. When the truth is finally revealed about what happened on Chicken Hill and the part the town’s white establishment played in it, McBride shows us that even in dark times, it is love and community—heaven and earth—that sustain us.
James McBride is an award-winning author, musician, and screenwriter. His landmark memoir, The Color of Water, published in 1996, has sold millions of copies and spent more than two years on the New York Times bestseller list. Considered an American classic, it is read in schools and universities across the United States.
His debut novel, Miracle at St. Anna, was turned into a 2008 film by Oscar-winning writer and director Spike Lee, with a script written by McBride.
His 2013 novel, The Good Lord Bird, about American abolitionist John Brown, won the National Book Award for Fiction and will be a Showtime limited series in fall 2020 starring Ethan Hawke.
McBride has been a staff writer for The Boston Globe, People Magazine, and The Washington Post, and his work has appeared in Essence, Rolling Stone, and The New York Times. His 2007 National Geographic story “Hip Hop Planet” is considered an important examination of African American music and culture.
A noted musician and composer, McBride has toured as a saxophonist sideman with jazz legend Jimmy Scott, among other musicians. He has written songs for Anita Baker, Grover Washington Jr., Pura Fé, Gary Burton, and even for the PBS television character “Barney.” (He did not write the “I Love You” song for Barney, but he wishes he did.) He received the Stephen Sondheim Award and the Richard Rodgers Foundation Horizon Award for his musical Bobos, co-written with playwright Ed Shockley. His 2003 Riffin’ and Pontificatin’ musical tour was filmed for a nationally televised Comcast documentary. He has been featured on national radio and television in North America, Europe, Australia, and New Zealand. He often does his public readings accompanied by a band.
In addition to being an author and a musician, McBride has other attributes. He admits to being the worst dancer in the history of African Americana, bar none (he claims he should be legally barred from dancing at any event he attends). And when he takes off his hat, fleas fly out. Little things, little talents.
A native New Yorker and a graduate of New York City public schools, McBride studied composition at the Oberlin Conservatory of Music in Ohio and received his master’s degree at the Graduate School of Journalism at Columbia University. In 2015, he was awarded the National Humanities Medal by President Obama “for humanizing the complexities of discussing race in America.” He holds several honorary doctorates and is currently a Distinguished Writer in Residence at New York University. - Author's website
Booklist
McBride is the maestro of the neighborhood saga, following the Carnegie-winning, Brooklyn-set Deacon King Kong (2020) with a tale of strife and love set in Chicken Hill, a hardscrabble section of Pottstown, Pennsylvania, that is home to African Americans who fled racial violence in the Deep South and Jews who escaped the pogroms of Eastern Europe. Lovely and righteous Chona, left disabled after a bout with polio, takes over Chicken Hill’s sole grocery store after the death of her rabbi father, while Moshe, her adoring, jazz-fan husband, runs a theater, becoming the first manager around to welcome both whites and Blacks. Nate, an African American, is his trusted assistant; Addie, Nate’s wife, is close to Chona, and their neighbors are vibrant, complicated individuals, each improvising ways to get by, ultimately joining forces to try to keep the authorities from taking Dodo, a smart, sweet, Black, orphaned deaf boy, to the hellish state asylum. McBride incisively and prismatically evokes the timbre of Jewish and Black lives of the times, while spinning intriguing backstories and choreographing telling struggles over running water, class divides, and prejudice of all kinds. Funny, tender, knockabout, gritty, and suspenseful, McBride’s microcosmic, socially critiquing, and empathic novel dynamically celebrates difference, kindness, ingenuity, and the force that compels us to move heaven and earth to help each other. -- Donna Seaman
Publisher's Weekly
National Book Award winner McBride (Deacon King Kong) tells a vibrant tale of Chicken Hill, a working-class neighborhood of Jewish, Black, and European immigrant families in Pottstown, Pa., where the 1972 discovery of a human skeleton unearths events that took place several decades earlier. In 1925, Moshe Ludlow owns the town’s first integrated dance hall and theater with his wife, Chona, a beautiful woman who’s undeterred by her polio-related disability and driven by her deep Jewish faith. Chona also runs the Heaven & Earth Grocery Store, where she extends kindness and indefinite credit to her Jewish and Black customers alike. When Nate and Addie Tamblin, friends and employees of the Ludlows who are Black, approach the couple for help keeping their nephew, Dodo, from becoming a ward of the state, Chona doesn’t hesitate to open her home to hide the boy from the authorities. As the racist white “good Christians” from down the hill begin to interfere, claiming to be worried about Dodo’s welfare, a two-fold tragedy occurs that brings the community together to exact justice, which leads to the dead body discovered years later. McBride’s pages burst with life, whether in descriptions of Moshe’s dance hall, where folks get down to Chick Webb’s “gorgeous, stomping, low-down, rip-roaring, heart-racing jazz,” or a fortune teller who dances and cries out to God before registering her premonitions on a typewriter. This endlessly rich saga highlights the different ways in which people look out for one another. (Aug.)
Kirkus
McBride follows up his hit novel Deacon King Kong (2020) with another boisterous hymn to community, mercy, and karmic justice.
It's June 1972, and the Pennsylvania State Police have some questions concerning a skeleton found at the bottom of an old well in the ramshackle Chicken Hill section of Pottstown that’s been marked for redevelopment. But Hurricane Agnes intervenes by washing away the skeleton and all other physical evidence of a series of extraordinary events that began more than 40 years earlier, when Jewish and African American citizens shared lives, hopes, and heartbreak in that same neighborhood. At the literal and figurative heart of these events is Chona Ludlow, the forbearing, compassionate Jewish proprietor of the novel’s eponymous grocery store, whose instinctive kindness and fairness toward the Black families of Chicken Hill exceed even that of her husband, Moshe, who, with Chona’s encouragement, desegregates his theater to allow his Black neighbors to fully enjoy acts like Chick Webb’s swing orchestra. Many local White Christians frown upon the easygoing relationship between Jews and Blacks, especially Doc Roberts, Pottstown’s leading physician, who marches every year in the local Ku Klux Klan parade. The ties binding the Ludlows to their Black neighbors become even stronger over the years, but that bond is tested most stringently and perilously when Chona helps Nate Timblin, a taciturn Black janitor at Moshe’s theater and the unofficial leader of his community, conceal and protect a young orphan named Dodo who lost his hearing in an explosion. He isn’t at all “feeble-minded,” but the government wants to put him in an institution promising little care and much abuse. The interlocking destinies of these and other characters make for tense, absorbing drama and, at times, warm, humane comedy. McBride’s well-established skill with narrative tactics may sometimes spill toward the melodramatic here. But as in McBride’s previous works, you barely notice such relatively minor contrivances because of the depth of characterizations and the pitch-perfect dialogue of his Black and Jewish characters. It’s possible to draw a clear, straight line from McBride’s breakthrough memoir, The Color of Water (1996), to the themes of this latest work.
If it’s possible for America to have a poet laureate, why can’t James McBride be its storyteller-in-chief?
Copyright (c) Kirkus Reviews, used with permission.
Library Journal
Chicken Hill, a pre–World War II Pennsylvania community, doesn’t seem like much: it’s poor, with no running water and a population consisting of multiple marginalized groups—Jewish, Black, Italian—all struggling, scheming, and hoping for the best while writhing in seemingly intractable disappointment. But in this latest from McBride (Deacon King Kong), their defeats evolve into triumphs. In this complex novel, McBride takes a mash-up of plots and over a dozen main characters, each with his or her own history, and weaves them together seamlessly with humor, empathy, and a determined sense of justice. The final third of the book focuses on a conspiracy by the people of Chicken Hill to rescue one of their own, a Deaf, Black, 12-year-old orphan named Dodo, from a nightmarish state asylum like something out of Dickens. Dodo was committed to this house of horrors through the treachery of a local doctor and KKK leader, Doc Roberts. But fortune has a way of flipping things around, sometimes in the right direction, and McBride ends the novel with so much poignancy and heartfelt sympathy for his characters that readers will be hard-pressed not to be moved.
VERDICT: A compelling novel, compellingly written, and not to be missed. --Michael F. Russo
Decent People
by De'Shawn Charles Winslow
When three siblings are found shot to death in the still-segregated town of West Mills, North Carolina, in 1976, and the white authorities show no interest in solving the case, Josephine Wright sets out to prove the innocence of her childhood sweetheart, Olympus "Lymp" Seymore, the murder victims' half-brother and the leading suspect in the case.
The Heart of It All
by Christian Kiefer
A small, declining town in Ohio. A family bereaved by terrible loss. A searing narrative about how American lives touch each other across divides both real and imagined... Set in failing small town in central Ohio, The Heart of It All asks how one manages, in an America of increasing division, to find a sense of family and community. Focusing on the members of three families: the Baileys, a white family who have put down deep roots in the community; the Marwats, an immigrant family that owns the town's largest employer; and the Shaws, especially young Anthony, an outsider whose very presence gently shakes the town's understanding of itself. A gorgeous, stirring novel in the classic vein of Richard Ford, Marilynne Robinson, Richard Russo, and Kent Haruf, The Heart of It All asks the reader to consider an America both divided and bound by its differences.
Before All the World
by Moriel Rothman-Zecher
A mesmerizing, inventive story of three souls in 1930s Philadelphia seizing new life while haunted by the old. In the swirl of Philadelphia at the end of Prohibition, Leyb meets Charles. They are at a former speakeasy called Cricket's, a bar that welcomes, as Charles says in his secondhand Yiddish, feygeles. Leyb is startled; fourteen years in amerike has taught him that his native tongue is not known beyond his people. And yet here is suave Charles-fingers stained with ink, an easy manner with the barkeep-a Black man from the Seventh Ward, a fellow traveler of Red Emma's, speaking Jewish to a young man he will come to call Lion. Lion is haunted by memories of life before, in Zatelsk, where everyone in his village, everyone except the ten non-Jews, a young poet named Gittl, and Leyb himself, was taken to the forest and killed. Then, miraculously, Gittl is in Philadelphia, too, thanks to a poem she wrote and the intervention of a shadowy character known only as the Baroness of Philadelphia. And surrounding Gittl are malokhim, the spirits of her siblings. Flowing and churning and seething with a glorious surge of language, carried along by questions of survival and hope and the possibility of a better world, Moriel Rothman-Zecher's Before All the World lays bare the impossibility of escaping trauma, the necessity of believing in a better way ahead, and the power that comes from our responsibility to the future. It asks, in the voices of its angels, the most essential question: What do you intend to do before all the world?
