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Cover of The Blue Hour

The Blue Hour

by Paula Hawkins

GENRE: Contemporary Fiction, Thriller

Welcome to Eris: an island with only one house, one inhabitant, one way out. Unreachable from the Scottish mainland for twelve hours each day.

Once home to Vanessa: A famous artist whose notoriously unfaithful husband disappeared twenty years ago.

Now home to Grace: A solitary creature of the tides, content in her own isolation.

But when a shocking discovery is made in an art gallery far away in London, a visitor comes calling.

And the secrets of Eris threaten to emerge....

Discussion Guide

Headshot of Paula Hawkins

Author Biography

Paula Hawkins worked as a journalist for fifteen years before writing her first novel. Born and brought up in Zimbabwe, she moved to London in 1989. Her first thriller The Girl on the Train became a global phenomenon, selling over 23 million copies. Published in over fifty languages, it was a No.1 bestseller around the world and a box-office-hit film starring Emily Blunt. Paula’s most recent thrillers, Into the Water and A Slow Fire Burning, were also instant No.1 bestsellers. In 2021 A Slow Fire Burning was nominated for Thriller of the Year at the British Book Awards. - Author's website

More Titles By This Author

Reviews

Publisher's Weekly

This predictable offering from bestseller Hawkins (The Girl on the Train) centers on an enigmatic artist, her socially awkward companion, and a lifelong fan of her work. In the present, a Tate Modern retrospective of late painter Vanessa Chapman is cut short when a forensics expert notices that an apparent animal bone in one of her sculptures is actually a human rib bone. James Becker, an employee at the foundation that manages her estate, tries to settle the matter by heading to Eris Island, where Chapman lived for the last decade of her life, and interviewing her companion there, Grace Haswell. Hanging in the air is the 20-year-old disappearance of Vanessa’s husband, Julian, whose body was never found; rumors swirl in the press that the rib bone may have belonged to him. As James and Grace bond over their love for Vanessa, flashbacks illuminate Julian’s fate and the precise nature of Vanessa and Grace’s relationship. Hawkins manages few surprises and fewer insights into her characters, resulting in a narrative that’s curiously uninvolving even as her skills as a stylist are on full display. This fails to add up to more than the sum of its parts. (Oct.)

Kirkus

The discovery that a revered artist’s sculpture contains a human bone sets off scandal and violence.

Art historian James Becker has what seems like a sweet deal. He’s the curator of the collection of the Fairburn Foundation, housed at a stately home owned by the Lennox family: Sebastian, Becker’s best friend, and his bitter mother, Lady Emmeline. Becker’s wife, Helena, was Sebastian’s fiancee first, but they’re all very civilized about it and happily awaiting the birth of her baby. The centerpiece of the Fairburn collection is works by the late Vanessa Chapman, an artist about whom Becker wrote his thesis, and with whom he is somewhat obsessed. Partly, it’s because of her great talent, but she was also a glamorous figure, a beauty who, as she became successful, sequestered herself on an isolated Scottish tidal island called Eris. She had a dark side—lots of stormy relationships, plus a philandering mooch of a husband who vanished without a trace a few decades ago. Her reputation, though, has risen after her death—so much so that the Fairburn has loaned some of her works to the Tate Modern. That’s where a forensic anthropologist sees one of her sculptures, made of found objects that include what’s described as an animal bone. The scientist is sure the bone is human, and soon Becker finds himself scrambling to prevent scandal. Vanessa willed her works and papers to the foundation, but some of them are still on Eris, guarded by her longtime friend Grace Haswell. A retired doctor, Grace lived with Vanessa off and on over the years and nursed her through her fatal cancer. It was a surprise when Vanessa left her estate not to Grace but to Douglas Lennox, Emmeline’s husband and Sebastian’s father. Douglas was Vanessa’s gallerist and lover, but the two had a nasty falling-out. Sebastian is so frustrated by Grace’s refusal to turn over all of the bequest that he’s ready to sue her, but Becker believes he can negotiate, so off to the the island he goes. He finds far more treachery and shocking secrets than he expected, past and present alike. Hawkins keeps her cast tight, her wild setting ominous, and her plot moving fast.

This propulsive thriller twists into the dark and bloody underbelly of the world of fine art. (Kirkus Reviews, Sept. 14, 2024)

Copyright (c) Kirkus Reviews, used with permission.

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