Horse
by Geraldine Brooks
GENRE: Historical Fiction, Literary Fiction
Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.
New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.
Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.
Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.
Author Biography
Australian-born Geraldine Brooks is an author and journalist who grew up in the Western suburbs of Sydney, attending Bethlehem College Ashfield and the University of Sydney. She worked as a reporter for The Sydney Morning Herald for three years as a feature writer with a special interest in environmental issues.
In 1982 she won the Greg Shackleton Australian News Correspondents scholarship to the journalism master’s program at Columbia University in New York City. Later she worked for The Wall Street Journal, where she covered crises in the the Middle East, Africa, and the Balkans. In 1990, with her husband Tony Horwitz, she won the Overseas Press Club Award for best coverage of the Gulf War. The following year they received a citation for excellence for their series, “War and Peace.” In 2006 she was a fellow at the Radcliffe Institute for Advanced Studies at Harvard University. She returned to Harvard as a Visiting Lecturer in 2021.
She was awarded the Pulitzer Prize in fiction in 2006 for her novel March. Her novels People of the Book, Caleb’s Crossing, and The Secret Chord all were New York Times Bestsellers. Her first novel, Year of Wonders is an an international bestseller, translated into more than 25 languages and currently optioned for a limited series by Olivia Coleman’s production company. She is also the author of the nonfiction works Nine Parts of Desire, Foreign Correspondence and The Idea of Home.
Brooks married fellow journalist and author Tony Horwitz in Tourette-sur-Loup France in 1984 and were together until his sudden death in 2019. They have two sons, Nathaniel and Bizu, She now lives with a dog named Bear and a mare named Valentine by an old mill pond on Martha’s Vineyard and spends as much time as she can in Australia. In 2016, she was named an Officer in the Order of Australia. - Author's website
Booklist
With exceptional characterizations, Pulitzer Prize--winner Brooks (The Secret Chord, 2015) tells an emotionally impactful tale centering on the life and legacy of Lexington, a bay colt who became a racing champion in mid-nineteenth-century America. Present at the horse's birth is Jarret, an enslaved groom on Dr. Elisha Warfield's vast Kentucky farm, and man and horse develop an enduring bond. Jarret's nuanced conversations with traveling equestrian artist Thomas Scott are mutually enlightening. Through Jarret and his father, a free Black man and expert horse trainer, readers encounter a wide range of racial injustices. This perennially and tragically relevant theme extends into the twenty-first century via Theo, a Nigerian American PhD art student. His path intersects with Jess, an Australian-born scientist at the Smithsonian, after Theo saves an old equestrian portrait discarded by his neighbor. Among the most structurally complex of all Brooks' acclaimed literary historical novels, the narrative adroitly interlaces multiple eras and perspectives, including that of 1950s New York gallery owner Martha Jackson, who appears midway through. From rural Kentucky to multicultural New Orleans, Brooks' settings are pitch-perfect, and the story brings to life the important roles fillled by Black horsemen in America's past. Brooks also showcases the magnificent beauty and competitive spirit of Lexington himself.HIGH-DEMAND BACKSTORY: Best-selling and highly regarded Brooks is always a draw, but this many-faceted story of a champion racehorse, art, and hidden Black history will attract even greater interest.
Publisher's Weekly
Pulitzer winner Brooks returns after The Secret Chord with a fascinating saga based on the true story of a famous 19th-century racehorse. In 2019, Theo Northam, a Black graduate student in Washington, D.C., finds a discarded equestrian painting that he decides to research for a Smithsonian magazine article. Meanwhile, Jess, a bone specialist at the Smithsonian, gets a call about an old horse skeleton that's been stored in the museum's attic. Jess and Theo end up meeting, but first Brooks takes the story to 1850s Lexington, Ky., where Jarret Lewis, an enslaved boy, is the groom for a promising colt that his father, Harry, a freedman, has trained. But then the horse, Lexington, is sold and the new buyer sends him along with Jarret to a Mississippi plantation with ruinous consequences. In 1853, Lexington and Jarret end up in New Orleans, where the horse thrills the racing world, and Jarret hopes to buy his freedom, while back in contemporary D.C., a romance blossoms between Jess and Theo. While Brooks's multiple narratives and strong character development captivate, and she soars with the story of Jarret, a late plot twist in the D.C. thread dampens the ending a bit. Despite a bit of flagging in the home stretch, this wins by a nose. Agent: Kristine Dahl, ICM. (June)
Library Journal
The latest historical novel from Brooks (The Secret Chord) centers around horse racing in the Civil War era. The first part of the story is set in the present, where a Nigerian American art historian and a scientist working at the Smithsonian are drawn together by a horse's skeleton and a painting discovered in the trash. Then the narrative goes back in time to the 1800s, where an enslaved groom named Jarret works as a trainer of race horses. The tension builds slowly, then ends with a surprising and memorable tragedy. The characters are believable and appealing; listeners will see how racism impacts the lives of people in different ways and in different time periods. The five separate voice actors--Graham Halstead, Lisa Flanagan, James Fouhey, Michael Obiora, and Katherine Cittrell--are skilled at using accents and dialect to add life and excitement to the narrative. VERDICT This title will appeal to fans of Margaret Atwood and Kathleen Kent and would be a good for any library looking to add to its representation of the African American experience.--Susan Cox
Kirkus
A long-lost painting sets in motion a plot intertwining the odyssey of a famed 19th-century thoroughbred and his trainer with the 21st-century rediscovery of the horse's portrait. In 2019, Nigerian American Georgetown graduate student Theo plucks a dingy canvas from a neighbor's trash and gets an assignment from Smithsonian magazine to write about it. That puts him in touch with Jess, the Smithsonian's "expert in skulls and bones," who happens to be examining the same horse's skeleton, which is in the museum's collection. (Theo and Jess first meet when she sees him unlocking an expensive bike identical to hers and implies he's trying to steal it--before he points hers out further down the same rack.) The horse is Lexington, "the greatest racing stallion in American turf history," nurtured and trained from birth by Jarret, an enslaved man who negotiates with this extraordinary horse the treacherous political and racial landscape of Kentucky before and during the Civil War. Brooks, a White writer, risks criticism for appropriation by telling portions of these alternating storylines from Jarret's and Theo's points of view in addition to those of Jess and several other White characters. She demonstrates imaginative empathy with both men and provides some sardonic correctives to White cluelessness, as when Theo takes Jess' clumsy apology--"I was traumatized by my appalling behavior"--and thinks, "Typical….He'd been accused, yet she was traumatized." Jarret is similarly but much more covertly irked by well-meaning White people patronizing him; Brooks skillfully uses their paired stories to demonstrate how the poison of racism lingers. Contemporary parallels are unmistakable when a Union officer angrily describes his Confederate prisoners as "lost to a narrative untethered to anything he recognized as true.…Their fabulous notions of what evils the Federal government intended for them should their cause fail…was ingrained so deep, beyond the reach of reasonable dialogue or evidence." The 21st-century chapters' shocking denouement drives home Brooks' point that too much remains the same for Black people in America, a grim conclusion only slightly mitigated by a happier ending for Jarret. Strong storytelling in service of a stinging moral message. Copyright (c) Kirkus Reviews, used with permission.
Homegoing
by Yaa Gyasi
Two half-sisters, Effia and Esi, are born into different villages in eighteenth-century Ghana. Effia is married off to an Englishman and lives in comfort in the palatial rooms of Cape Coast Castle. Unbeknownst to Effia, her sister, Esi, is imprisoned beneath her in the castle's dungeons, sold with thousands of others into the Gold Coast's booming slave trade, and shipped off to America, where her children and grandchildren will be raised in slavery. One thread of Homegoing follows Effia's descendants through centuries of warfare in Ghana, as the Fante and Asante nations wrestle with the slave trade and British colonization. The other thread follows Esi and her children into America. From the plantations of the South to the Civil War and the Great Migration, from the coal mines of Pratt City, Alabama, to the jazz clubs and dope houses of twentieth-century Harlem, right up through the present day, Homegoing makes history visceral, and captures, with singular and stunning immediacy, how the memory of captivity came to be inscribed in the soul of a nation.
Lexington: The Extraordinary Life and Turbulent Times of America's Legendary Racehorse
by Kim Wickens
The powerful true story of the champion Thoroughbred racehorse who gained international fame in the tumultuous Civil War–era South, and became the most successful sire in American racing history
The early days of American horse racing were grueling. Four-mile races, run two or three times in succession, were the norm, rewarding horses who brandished the ideal combination of stamina and speed. The stallion Lexington, named after the city in Kentucky where he was born, possessed these winning qualities, which pioneering Americans prized.
Lexington shattered the world speed record for a four-mile race, showing a war-torn nation that the extraordinary was possible even in those perilous times. He would continue his winning career until deteriorating eyesight forced his retirement in 1855. But once his groundbreaking achievements as a racehorse ended, his role as a sire began. Horses from his bloodline won more money than the offspring of any other Thoroughbred—an annual success that led Lexington to be named America’s leading sire an unprecedented sixteen times.
Yet with the Civil War raging, Lexington’s years at a Kentucky stud farm were far from idyllic. Confederate soldiers ran amok, looting freely and kidnapping horses from the top stables. They soon focused on the prized Lexington and his valuable progeny.
Kim Wickens, a lawyer and dressage rider, became fascinated by this legendary horse when she learned that twelve of Thoroughbred racing's thirteen Triple Crown winners descended from Lexington. Wickens spent years meticulously researching the horse and his legacy—and with Lexington, she presents an absorbing, exciting account that transports readers back to the raucous beginning of American horse racing and introduces them to the stallion at its heart.
Seabiscuit: An American Legend
by Laura Hillenbrand
Seabiscuit was one of the most electrifying and popular attractions in sports history and the single biggest newsmaker in the world in 1938, receiving more coverage than FDR, Hitler, or Mussolini. But his success was a surprise to the racing establishment, which had written off the crooked-legged racehorse with the sad tail. Three men changed Seabiscuit’s fortunes:
Charles Howard was a onetime bicycle repairman who introduced the automobile to the western United States and became an overnight millionaire. When he needed a trainer for his new racehorses, he hired Tom Smith, a mysterious mustang breaker from the Colorado plains. Smith urged Howard to buy Seabiscuit for a bargain-basement price, then hired as his jockey Red Pollard, a failed boxer who was blind in one eye, half-crippled, and prone to quoting passages from Ralph Waldo Emerson. Over four years, these unlikely partners survived a phenomenal run of bad fortune, conspiracy, and severe injury to transform Seabiscuit from a neurotic, pathologically indolent also-ran into an American sports icon.
