Reviews

Booklist

Ebony Freeman was 10 when her brother was killed in their home. Ebby saw the masked intruders before they shot 15-year-old Baz, simultaneously causing the destruction of a family heirloom stoneware jar. The nineteenth-century jar had been passed down through six generations, from the enslaved maker in South Carolina through the ancestor who found freedom escaping to Massachusetts as a ship’s stowaway. Now the well-heeled Freemans are a prominent Black New England family, but their wealth and status couldn’t save them from tragedy in this heartbreakingly magnificent second novel from the author of Black Cake (2022). Nearly two decades after her brother’s murder, Ebby once again becomes the target of unwelcome notoriety after being abandoned by her fiancé on their wedding day. She escapes to a cottage in a French town only to unexpectedly meet the last person she wants to see. In this sweeping generational story of trauma and resilience, Ebby and her family confront the truth of the past and must decide how to shape their future, guided by the jar, its history, and the secret inscription it carries. -- Bridget Thoreson (Reviewed 12/1/2024) (Booklist, vol 121, number 7, p104)

Kirkus

The 2000 murder of a Black teen during a home invasion resonates through the years before and after.Wilkerson’s ambitious follow-up to Black Cake (2022) centers on a wealthy Black family, the Freemans, who have made their home on the Connecticut coast. The family’s prized possession is a 20-gallon stoneware pot they call “Old Mo,” made by an enslaved ancestor. The jar was broken during a horrible, never-solved incident in which masked men broke into their home and shot 15-year-old Baz to death in the presence of his 10-year-old sister, Ebony, called Ebby. As we meet Ebby, she has suffered a second trauma: In 2018, her rich white husband-to-be has ditched her on their wedding day for reasons that take a while to emerge. Wilkerson traces in detail the storylines of preceding generations of Freemans going back to Africa, follows Ebby and her family for the next several years—including an escape to France—and also features chapters focusing on various supporting characters with connections to the murder. With so much ground to cover, the overstuffed narrative loses steam. Furthermore, the reliance on a major improbable coincidence to force Ebby and her ex back together raises an eyebrow that never quite comes down, and the France section introduces additional characters with questionable claim on our attention. Is there really a reason to care about the trajectory of the woman Ebby’s ex shows up with at his vacation rental? However, Wilkerson’s highly readable writing style and wily withholding of a key secret will keep the pages turning happily enough for many readers.Much to admire, but half of what’s here might have made for a more successful novel. (Kirkus Reviews, February 1, 2025)

Copyright (c) Kirkus Reviews, used with permission.

Publishers Weekly

In Wilkerson’s incohesive sophomore novel (after Black Cake), the daughter of a prominent Black New England family contends with heartbreak and trauma. Having recently been left at the altar by her white fiancé, Henry, Ebby is unwillingly back in the spotlight. When she was 10, her name was in the papers after she’d witnessed an armed robber kill her 15-year-old brother, Baz, in their home. Nine months after the breakup, Ebby accepts an offer to manage her friend’s rental house in rural France, where she plans to write down the history of a clay pot made by an enslaved craftsman that had been passed down by the Freemans for 150 years, until it was broken the night of Baz’s death. Her plans are disrupted, however, when Henry and his new girlfriend turn out to be the house’s first guests. The novel poses intriguing questions about the nature of legacy and race relations, and though Wilkerson attempts to connect the plot’s various strands through the story of the jar, revealing, for instance, that Henry might know something about the night it was broken, the pieces don’t quite come together. Readers will be disappointed. Agent: Madeleine Milburn, Madeleine Milburn Literary. (Jan.) --Staff (Reviewed 11/25/2024) (Publishers Weekly, vol 271, issue 45, p)

Readalikes

Memphis
by Tara M Stringfellow

Summer 1995: Ten-year-old Joan, her mother, and her younger sister flee her father’s explosive temper and seek refuge at her mother’s ancestral home in Memphis. This is not the first time violence has altered the course of the family’s trajectory. Half a century earlier, Joan’s grandfather built this majestic house in the historic Black neighborhood of Douglass—only to be lynched days after becoming the first Black detective in the city. Joan tries to settle into her new life, but family secrets cast a longer shadow than any of them expected.

As she grows up, Joan finds relief in her artwork, painting portraits of the community in Memphis. One of her subjects is their enigmatic neighbor Miss Dawn, who claims to know something about curses, and whose stories about the past help Joan see how her passion, imagination, and relentless hope are, in fact, the continuation of a long matrilineal tradition. Joan begins to understand that her mother, her mother’s mother, and the mothers before them persevered, made impossible choices, and put their dreams on hold so that her life would not have to be defined by loss and anger—that the sole instrument she needs for healing is her paintbrush.

Acts of Forgiveness
by Maura Cheeks

How much of their lineage is one family willing to unearth in order to participate in the nation’s first federal reparations program?

Every American waits with bated breath to see whether or not the country’s first female president will pass the Forgiveness Act. The bill would allow Black families to claim up to $175,000 if they can prove they are the descendants of slaves, and for ambitious single mother Willie Revel the bill could be a long-awaited form of redemption. A decade ago, Willie gave up her burgeoning journalism career to help run her father’s struggling construction company in Philadelphia and she has reluctantly put family first, without being able to forget who she might have become. Now she’s back living with her parents and her young daughter while trying to keep her family from going into bankruptcy. Could the Forgiveness Act uncover her forgotten roots while also helping save their beloved home and her father’s life’s work?

In order to qualify, she must first prove that the Revels are descended from slaves, but the rest of the family isn’t as eager to dig up the past. Her mother is adopted, her father doesn’t trust the government and believes working with a morally corrupt employer is the better way to save their business, and her daughter is just trying to make it through the fifth grade at her elite private school without attracting unwanted attention. It’s up to Willie to verify their ancestry and save her family—but as she delves into their history, Willie begins to learn just how complicated family and forgiveness can be.

Monogamy
by Sue Miller

Annie is not the first love of Graham's life but she is, he thinks, his last and greatest. Very recently, he has faltered; but he means to put it right.

Here they are in marriage, in late middle age, in comfort. Mismatched, and yet so well matched: the bookseller with his appetite, his conviviality, his bigness; the photographer with her delicacy, her astuteness, her reserve. The children are offstage, grown up and scattered on either coast; Graham's first wife, Frieda, is peaceably in their lives, but not between them.

Then the unthinkable happens. Now Annie stumbles in the dark: did she know all there was to know about the man who loved her? If no marriage is without its small indiscretions, how great does a betrayal have to be to be to break it?