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BOOK CLUB BUNDLES

Hi, I’m Lauren. The Library will provide books for your book club. Our book club bundles include 10 copies of the same title, along with a discussion guide. Check out available bundles when visiting the Library, or fill out the form below! Patrons can reserve book club bundles up to six months in advance. Our book club bundles are stored on the second floor for the public to browse and check out. Contact us at bookclub@gpld.org or call us at 630-232-0780 if you have questions.



Small Great Things

by Jodi Picoult

GENRE: Mainstream Fiction

A Black labor and delivery nurse is accused of misconduct following the tragic death of a white baby. Readers will be drawn into the examination of racism in America and moved by the firsthand narratives of both the victim and the perpetrator. At once a personal and public story, Small Great Things is a timely novel that deftly addresses the complexities of prejudice.

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author biography

With ten novels published by the time she was thirty-seven, Jodi Picoult ranks among the more prolific and ambitious young American writers. She has been characterized by critics as a women's fiction author; she contests this label, however, citing her popularity with both male and female fans. Her novels cross many genres, including literary fiction, legal thrillers, psychological portraits, romances, and ghost stories. In reviews, her body of work, themes, and writing style have been compared to authors as diverse as Alice Hoffman, John Grisham, and Daphne du Maurier. As this varied group of comparisons suggests, Picoult creates a new reading experience for her audience with each book.

Jodi Lynn Picoult was born on 19 May 1966 and grew up in Nesconset, Long Island, with her parents, Myron Michel Picoult, a securities analyst on Wall Street, and Jane Ellen Friend Picoult, a nursery-school teacher. She has one younger brother, Jonathan Paul Picoult. On her official website, Picoult says jokingly of her childhood, "I had such an uneventful childhood that much later, when I was taking writing classes at college, I called home and yelled at my mother, wishing for a little incest or abuse on the side." She continues, "Good writers, I thought at the time, had to have something to write about. It took me a while to realize that I already did have something to write about--that solid core of family, and of relationships, which seem to form a connective thread through my books." Picoult's happy childhood included writing stories, which her grandmother still keeps as examples of her "early" work, and a job as a library page. These youthful interactions with professional writing compelled Picoult to move toward a career as a novelist. She earned a B.A. in English in 1987 from Princeton University, where she studied creative writing with writers Robert Stone and Mary Morris . Under their guidance, Picoult had her first publishing success. She submitted a short story, "Keeping Count" (February 1987), to Seventeen, which published it and a subsequent story, "Road Stop" (August 1987).

Despite these early writing successes, Picoult went to work on Wall Street in New York City after her graduation. She then worked at a publishing company and later at an advertising agency. Finally, Picoult returned to the classroom to pursue a master's degree in education at Harvard University, earning an M.E.D. in 1990. Concomitant with her graduate education, Picoult taught creative writing at the Walnut Hill School for the Arts in Natick, Massachusetts from 1989 to 1991.

On 18 November 1989, Picoult married Timothy Warren van Leer, whom she met when both were members of the heavyweight men's crew team at Princeton. Picoult jokes, "I was a manager/coxswain, and I was the first person with two X chromosomes to set foot in a men's crew shell at the university!" Picoult's first novel was published following her marriage. Written while Picoult was six months pregnant with the first of her three children, Songs of the Humpback Whale (1992) establishes Picoult's primary theme for each of her subsequent novels: the love between family and friends. Her novels probe the key idea of what it means to love someone.  - Gale Literature Resource Center

More titles by this author.

reviews

Publisher's Weekly

Bestselling author Picoult’s latest page-turner is inspired by a Flint, Mich., event in which a white supremacist father refused to allow an experienced African-American labor and delivery nurse to touch his newborn. In Picoult’s story, a medical crisis results in an infant’s death and a murder charge against a black nurse named Ruth Jefferson. The story unfolds from three viewpoints: Ruth’s, the infant’s father—a skinhead named Turk—and Ruth’s public defender, Kennedy McQuarrie, a white professional woman questioning her own views about racism. The author’s comprehensive research brings veracity to Ruth’s story as a professional black woman trying to fit into white society, to Turk’s inducement into the white-power movement, and to Kennedy’s soul-searching about what it’s like to be black in America. Unfortunately, the author undermines this richly drawn and compelling story with a manipulative final plot twist as well as a Pollyannaish ending. Some may be put off by the moralistic undertone of Picoult’s tale, while others will appreciate the inspiration it provides for a much-needed conversation about race and prejudice in America. (Oct.) --Staff (Reviewed 08/29/2016) (Publishers Weekly, vol 263, issue 35, p)

Booklist

Immensely popular novelist Picoult (Leaving Time, 2014) continues to tackle weighty subject matter in her twenty-fourth novel. Ruth Jefferson, a widow with a teenage son, is a labor and delivery nurse and the only African American in her department. When the infant son of two white supremacists, Turk and Brittany Bauer, who have specifically asked that Ruth not handle their child, dies suddenly, Ruth is blamed for the child's death by both the hospital and the child's parents. In quick succession, Ruth loses her license, is dragged from her home by the police in the middle of the night, and is charged with murder. Kennedy McQuarrie, a white female public defender, takes Ruth's case, but her refusal to bring up race in Ruth's defense doesn't sit right with Ruth, given that race is ingrained in the case's DNA, from the Bauers' hateful views to Ruth's supervisor's acquiescence to their demands to Ruth's experience once in the cogs of the justice system. Picoult's gripping tale is told from three points of view, that of Ruth, Kennedy, and Turk, and offers a thought-provoking examination of racism in America today, both overt and subtle. Her many readers will find much to discuss in the pages of this topical, moving book. --Kristine Huntley.

Library Journal

Ruth Jefferson is great at her job. She's an experienced labor and delivery nurse who not only knows how to guide women through labor, but also understands post-delivery needs such as a shoulder to cry on and lipstick. But her career and life change forever when she hesitates before helping a baby in cardiac arrest. Why would a nurse pause to help a patient? Ruth is African American and the baby's white supremacist parents don't want her touching their child. The hospital tells Ruth to comply with the parents' wishes, but when she's the only available nurse, should she follow orders or try to save the newborn's life? Told from the points of view of Ruth, her white public defender, and the white supremacist father, the novel digs into the issue of race. Picoult (Leaving Time; The Storyteller) delivers what her fans expect with a controversial topic that includes plenty of courtroom drama and a surprise twist. The novel is well researched, although it raises the question: can a person of one race write authentically about being another race? VERDICT Recommended for Picoult fans and book clubs that don't shy away from serious discussions. [See Prepub Alert, 4/25/16; 15-city tour.]--Amy Stenftenagel, Washington Cty. Lib., Woodbury, MN

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A Time to Stand

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